The emergence of sexual harassment claims against producer Harvey Weinstein
has the potential to be a watershed moment for Hollywood, offering a new opportunity to shed its “casting couch” image, according to advocates for women in the workplace.
The allegations by women including actresses Ashley Judd and Rose McGowan against a prominent and successful industry leader may encourage more women to step forward with their own stories and force men in power to reflect on their own behaviour, said filmmakers and activists. The Weinstein scandal also should put more pressure on studios to put more women in leadership roles and improve parity in hiring and pay, they said.
“The problem is just rife in Hollywood,” said Maria Giese, a filmmaker and activist. “For a young woman, with no connections or experience, the trade-off requested for advancement is too often sexual, and it is happening in an industry that produces America’s most cultural influential global export.”
Giese said she had her own experience of being expected to have sex with executives that helped her early films get made — offers she declined. She didn’t identify the individuals. Tired of her lack of career progression, she helped persuade the American Civil Liberties Union to open a 2015 investigation into hiring practices in the movie industry, which drew the attention of the Equal Employment Opportunity Commission.
The Weinstein case
strikes at the heart of the problem for women’s progress in Hollywood
because the industry relies on reciprocity — favours owed and returned, including sexual ones, Giese said.
Weinstein, known for aggressive awards campaigns that led to Oscars for movies like Shakespeare in Love, took a leave of absence Thursday from the company he founded with his brother. The New York Times reported that Weinstein had paid at least eight women to settle sexual harassment claims. Weinstein denied many of the allegations and told the New York Post the report was unfair. Three board members at his company, Weinstein Co, resigned Friday, according to Deadline, and the remaining directors hired outside lawyers to investigate the allegations.
The development roiled an industry that has largely excluded women from prominent roles behind the camera and equal representation in front of the camera. Research by the University of Southern California found that the percentage of female speaking characters in movies hasn’t budged much above 30 per cent over the past decade. And behind the camera, only 4.2 per cent of directors were women, 13.2 per cent writers and 20.7 per cent were producers in 2016, despite women making up about half the population.
Part of the challenge for women is the fear of career repercussions for speaking out. Megan Ellison, the daughter of Oracle founder Larry Ellison who created producer Annapurna Pictures, tweeted sympathetically of the New York Times story. “Women face serious repercussions for sharing their experiences and deserve our full support,” she said. “I admire the courage of these women.”
Some in the industry are pushing to hire more women for leadership roles as a corrective action. “One production company I’m working with submitted a list of director choices to me that was over 50 per cent women,” C Robert Cargill, a writer whose credits include horror feature Sinister and comic-book movie Doctor Strange, said in an email. “There’s a wealth of long-neglected talent out there and Hollywood
is starting to realise how much they were missing out on by leaning on the male-driven meritocracy. I think the landscape of Hollywood
five years from now is going to be very different than it is today.”
Cargill said he won’t work with companies that face allegations like the claims against Weinstein. “I’d much rather sleep well at night than be restless atop a big bed of money,” he said. “And I would urge all of my fellow creatives to do the same.”
Giese called for an impartial oversight body to protect women’s rights. Several guilds that represent different film disciplines, from directing to acting, “cannot be left with the responsibility for advancing the rights of women,” she said.
The Directors Guild of America is overwhelmingly white and male, with a membership, including all directorial team members, that’s 23.4 per cent female and 4.5 per cent African-American, according to its website. The percentage of female directors in the group is even smaller, at 15.1 per cent, with African-Americans at 3.8 per cent.
Late last month the guild released data that showed a sharp rise in the number of women and minorities as first-time directors in television — a result, the guild said, of its efforts to educate the industry. The percentage of minority first-time TV directors more than doubled since 2009 and the percentage of women nearly tripled, the guild said. The Academy of Motion Picture Arts and Sciences, which awards the Oscars, is also heavily white and male, and changed its voting rules last year to encourage more diversity.
Women In Film, a Los Angeles non-profit designed to promote equality in the entertainment business, is working with studios to achieve gender parity in hiring and pay by tackling conscious as well as unconscious biases. The ousting of powerful news executives from 21st Century Fox over the past year after claims of sexual harassment is part of the wave of women starting to speak out, said Kirsten Schaffer, executive director of Women In Film.
The status of the EEOC’s examination of the industry following the ACLU’s investigation is unclear. The agency routinely declines to comment on such matters and didn’t respond to a request for comment after normal business hours.
“The Harvey Weinstein
situation is yet another reminder of the incredibly egregious and deep-running sexism in Hollywood,” said Melissa Goodman, who oversees gender-related matters at the ACLU of Southern California. “The industry will change only when women feel it’s safe to speak out against the sexism that manifests not only in rampant sexual harassment but also in the failure to hire women or pay them equally.”
Giese risked her career by instigating the industrywide probe, she said. “Speaking out boldly is the only way to engender change,” she said. “I may never work again.”