Like many nature lovers, Aditi Dugar and her partner head to Ladakh about once a year. Except, they don't just visit for the snow-capped peaks, spectacular vistas, or the mythic motorcycle trails. They go there mainly to source seabuckthorn, yak cheese, lavender and thyme, all ingredients that end up on their tasting menus at Masque, a standalone restaurant launched in 2016. Similarly, brothers Ryan and Keenan Tham, who run a string of restaurants, including Koko, The Good Wife, and nightclub Trilogy, across several cities in the country are also looking at ideas that toss up a unique offering to diners. One of those include a sushi conveyor belt, but it is still on the drawing board.
The result is a changing landscape for the country’s eating-out business where branding was once nothing more than sending out takeaway menus to local businesses and households. What was once a landscape of restaurants that could be neatly segregated into Indian, Chinese, and continental cuisines, has given way to experiments with concepts that play with fusion cuisine and food from around the world. These include experimentation with menus, design and service with an aim to provide an experience that keeps customers coming back for more.
The big shift according to Riyaaz Amlani, chief executive officer of Impresario Entertainment & Hospitality, which started Salt Water Cafe, the Social, and Smokehouse Deli, says that restaurants today are closer to figuring out what customers really want as well as defining "mood-spaces".
If restaurants like China Garden, Olive, and Indigo defined mainstream yesterday, then it’s about razor-sharpening that focus on what the 'flavour of the day', figuratively speaking, today is really about. "The real Indian consumer likes their food saucy, with big flavors," Amlani adds. He points to restaurants that have tailored their offerings to that sensibility — The Bombay Canteen, Monkey Bar are examples of the transition from classique to nouvelle with an Indian twist.
Fundamentally, there are two models at play in dining concepts. First, there's the low capex and high volume model. Second, there's the low volume and high capital outlay version. Therefore, while Amlani has a point about the emergence of fresh new tastes, there's also established success with restaurants that throw up what's popular.
Tham's Koko, for example, has a full-service bar on one end and a reservation-style restaurant on the other that serves an elite clientele. At these restaurants, the customer is being lured for a lunch-cum-business deal, unlike spaces where free Wi-Fi is the big draw.
Of course, there's an audience for that as well. Social, a string of open-style casual cafes with no-fuss food, and tons of space is Amlani's model for getting youngsters in to spend time there and do exactly that. Browse on their computers or chat on their phones for hours on end even if they just ordered one beer. There are 18 Socials in India so far and he plans to launch another ten. At the other end of the spectrum, Dugar, mentioned earlier, says she has no plans to start another Masque in a different city. "It's a business that's driven by a chef, which you can't duplicate as easily," she says.