Moosa was the character I'd been waiting for: Neeraj Madhav on 'The Family Man'

As Moosa in "The Family Man", Neeraj Madhav has been a true revelation but the character's popularity does not come as a complete surprise to the actor, who knew that the opportunity was a performance gold.

Madhav as Moosa kept everyone guessing till the end as he gradually transforms from a man caught in bad circumstances to the central villain in the Manoj Bajpayee-led Amazon Prime Video series. His character's backstory is as startling and tragic as his transformation into a cold-blooded terrorist.

The actor realised his role hit the right chord when his social media accounts started flooding with messages from people praising his performance.

"People are binge-watching the show and messaging me on Facebook and Instagram. They don't really know me but they are Google searching me and taking the effort to know me. That's the best thing about being an actor," Madhav told PTI in an interview.

"I'm lucky to have been provided with Moosa because a character should happen to an actor. This was the character I was waiting for in my career. I predominately work in Malayalam cinema and I have never done something so intense before. I'm super glad that this happened to me," he added.

The Malayalam actor said Moosa resonated with people because director duo Raj and DK took the effort to understand the character as a person.

"It makes Moosa more humane rather than being just a regular villain. A lot of people could connect with his trauma," he said.

Madhav said when he joined the cast, he knew he had landed a good role because everybody wanted to play Moosa.

But the big challenge for Madhav about cracking the role was the lack of references and the constant shifts in the character's emotional state.

"Whenever you are playing a new character, you always have somebody from your life to take a reference from, like a friend or a relative. But in this case, you haven't met a terrorist. You don't know who they are, why they are the way they are or what they think. There is no personal perspective."
"I wanted the particular scene that I was in to be convincing without thinking about this bad*** guy. That worked for me and for the directors. I tried to live in every scene in a way that it looks convincing. When you put together the scenes, you understand the graph."
"I expected a call from an assistant director or someone like that but I received a call from DK who told me that seemed apt for the character so I should audition. I was totally blown away by the brief."