The installation, which is on display at the Mori Museum in Japan, has connected the machines, symbolic of the member countries of the United Nations, with different coloured threads to create a vision of a world divided by flags and socio-cultural and economic lines.
Based on a children's flags book that was sold in his home town Mysore, the artwork aims to raise issues of labour outsourcing, migration and the forces of global markets.
"For me these beautiful machines are a metaphor for human labour. They create firm bonding between two edges. They give strength to the clothes we wear and use in our daily lives. All these characters are needed and essential for mankind in present global conditions," Harsha told PTI.
However, the artist insists that he does not wish to send out a message through the artwork, which he says, "celebrates the richness in communication and bonding".
The exhibition titled "Charming Journey" by the Mori Museum is a mid-career retrospective on Harsha, and features major works by the artist since 1995, while exploring themes running consistently through his practice.
The artist is highly driven by the "fertile" Indian 'art ecosystem' which he credits to the country's rich history, and tends to combine details of the cultural traditions in India with subjects in the news to reflect the "shifting world".
Talking about his thought process while creating an
artwork, Harsha says, "Life poses many ambiguous and cryptic situations in everyday life, during which being in the process of 'art' helps me to have more clarity in the journey of life.
"Sometimes there is no reason to paint, but 'painting' in itself becomes a reason to get involved in it intensely."
Currently, he is focusing more on the "internal journey" in his studio.
The sewing machines used in 'Nations' have been provided by Usha International Limited, after the artist could not procure more than 15 machines in Tokyo.
The exhibition that began on February 4 is set to continue till June 11.
