In the just released 'Nayan Chapar Dinratri', the maker of Maoist-issue based Mohulbanir Sereng, deals with the travails of the scores of such women travelling in Lakshmikantopur, Canning, Hasnabad Locals to upscale Salt Lake, Ballygunje areas of the city.
Sekhar, the national award winner director, feels the issue of subalterns - from domestic helps to a smalltime burglar eking out a living after finding all avenues are not popping up in contemporary Bengali films which are still stuck with 'strange, irrelevant , fantasy' issues .
Sekhar, who called himself a guerilla director, felt the number of audiences in single screen theatres can't be the sole index of Bengali audiences as there is an ever expanding satellite market.
"My Mahulbanir Sereng had been screened over 20 times in television. Kaler Rakhal is still discussed among the audiences. So screen distribution network is not the only medium to reach out with the number of theatres reduced by half in past one decade," Sekhar said.
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