In an exhibition curators say is unprecedented, three full-scale, hand-painted replica caves have been erected on The Getty Center museum's hilltop campus overlooking LA.
Nearby, in an adjacent gallery, the museum has assembled more than 40 spectacularly preserved and priceless artifacts taken from one of the caves, and in still another gallery visitors can take a 3-D virtual reality tour of on an actual cave in China, this one filled with life-size sculptures of the Buddha and his entourage.
"By any standard," he added, "Dunhuang is one of the most important heritage places in the world."
Indeed, along with the Great Wall and the Forbidden City, Dunhuang's more than 450 Mogao Caves, as they are also known, were among the first Chinese sites recognized by the United Nations' World Heritage Center in the 1980s.
That wasn't the case from the 4th to the 14th centuries, when the Silk Road was teeming with travelers during the millennium when the caves served as a key rest stop, marketplace and shrine.
"I think we all have romanticized notions about the Silk Road and people moving from the east in China all the way to the Mediterranean," Whalen said as he and Marcia Reed, the Getty Research Institute's chief curator, reviewed dozens of paintings, drawings, sculptures, silk tapestries, and handwritten and printed documents in one of the galleries.
Also displayed are sculptures of European-looking people, a travel document carried by a monk from India and numerous artistic depictions of the Buddha.
Perhaps the most priceless item on display is a scroll of Buddhism's "Diamond Sutra," commissioned and dated in 868 by a man named Wang Jie as a gift to his parents. Discovered in one of the caves in 1907, it is believed to be the world's oldest printed book.
