More comfortable in underplaying emotions: Emraan Hashmi

Image
Press Trust of India New Delhi
Last Updated : Sep 20 2019 | 4:40 PM IST

As someone who has built a career out of commercial potboilers, Emraan Hashmi says he has always loved to stretch his acting muscles in roles that demand a subtle approach.

Subtext is often lost in mainstream movies where the emphasis is on "spoon-feeding the audiences, believes the actor, who made his Bollywood debut with "Footpath" in 2003 and followed it up with a series of masala hits.

Emraan, however, made sure to give the "high decibel" cinema a miss now-and-then in films like "Awarapan", "Jannat", "Once Upon a Time in Mumbai" and "Shanghai".

"When I started my journey in 2003, the decibels were obviously higher. In my first couple of films, there was more projection in the characters. But I believe I have always been more comfortable in subtler performances, in (exploring) the subtext. And then I also got some opportunities -- like 'Shanghai' -- where I could do it," Emraan told PTI in an interview.

The actor got a chance to return to his favourite space with his digital foray in Netflix's "Bard of Blood".

Based on Bilal Siddiqi's book of the same name, the espionage thriller will see Emraan as an expelled spy, who is recalled from his new life as a Shakespeare professor to save four Indian agents who are held as hostages in Balochistan.

Emraan says while people creating content on digital medium are aware that the audiences are smart enough to understand the subtext, filmmakers in Bollywood are still trying to spoon-feed viewers.

"In the web, because we are pitching it to the world audience, we can't be jingoistic in places where we are not meant to be. It has to be entertaining but at the same time there has to be a lot of things in subtext because audiences now like to engage with a story from their prospective. We don't need to spoon-feed them," he says.

"I don't understand why our films keep giving them everything on the platter. I am more comfortable in underplaying emotions and being less dramatic."
"When we shot everybody gave such real performances. The show made all the characters look so human. Spies have their strengths and weaknesses and we have put that out there. They do get scared."

Disclaimer: No Business Standard Journalist was involved in creation of this content

*Subscribe to Business Standard digital and get complimentary access to The New York Times

Smart Quarterly

₹900

3 Months

₹300/Month

SAVE 25%

Smart Essential

₹2,700

1 Year

₹225/Month

SAVE 46%
*Complimentary New York Times access for the 2nd year will be given after 12 months

Super Saver

₹3,900

2 Years

₹162/Month

Subscribe

Renews automatically, cancel anytime

Here’s what’s included in our digital subscription plans

Exclusive premium stories online

  • Over 30 premium stories daily, handpicked by our editors

Complimentary Access to The New York Times

  • News, Games, Cooking, Audio, Wirecutter & The Athletic

Business Standard Epaper

  • Digital replica of our daily newspaper — with options to read, save, and share

Curated Newsletters

  • Insights on markets, finance, politics, tech, and more delivered to your inbox

Market Analysis & Investment Insights

  • In-depth market analysis & insights with access to The Smart Investor

Archives

  • Repository of articles and publications dating back to 1997

Ad-free Reading

  • Uninterrupted reading experience with no advertisements

Seamless Access Across All Devices

  • Access Business Standard across devices — mobile, tablet, or PC, via web or app

More From This Section

First Published: Sep 20 2019 | 4:40 PM IST

Next Story