Ready to travel to another venue with his ektara, a single-string musical instrument, in another district the next day, Subrata Patra thanks the Trinamool Congress for keeping him busy in this poll season.
There are many others like Patra who are engaged by political parties, especially the Congress, BJP and Trinamool Congrress, to regale the crowd before the political stars take over the stage.
They get heard by large audiences only during the poll season.
Like Subrata Patra, there is Sailen Das, a baul singer, from Jangalamahal, a den of the Maoists not long ago, who together have sung in more than 50-60 political raliies across Bengal.
Subrata said, "I wait for elections, be it Assembly or Lok Sabha. People get to hear my songs that I have composed and I also get to earn some amount of money, charging anything from Rs 3,000 to Rs 4,000 for a rally.
Street theatre is another art form which political parties extensively use to convey their messages.
Political parties over the ages have utilised this medium
to put across their points of view.
In the 2011 Assembly Election, the Trinamool Congress rewrote the script of "Maa, Maati, Manush", a play with Leftist ideas which had played a significant role in moulding rural opinion in voting the Left Front to power in 1977.
Under the tutelage of legendary theatre personalities like Utpal Dutta, Badal Sircar and Sambhu Mitra, theatre became an important tool of protest during the tumultuous 60s and 70s in Bengal like the food movement and student movement.
"People in rural areas still attend such programmes in huge numbers. It is both a medium a entertainment and a tool of communication," said a theatre activist.
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