Researchers at the Georgia Institute of Technology "painted" the world's most famous painting Mona Lisa on a substrate surface approximately 30 microns in width.
The creation, the "Mini Lisa," demonstrates a technique that could potentially be used to achieve nanomanufacturing of devices because the team was able to vary the surface concentration of molecules on such short-length scales.
The image was created with an atomic force microscope and a process called ThermoChemical NanoLithography (TCNL). Going pixel by pixel, researchers positioned a heated cantilever at the substrate surface to create a series of confined nanoscale chemical reactions.
Less heat produced the darker shades in her dress and hair seen when the molecular canvas is visualised using fluorescent dye. Each pixel is spaced by 125 nanometres.
"By tuning the temperature, our team manipulated chemical reactions to yield variations in the molecular concentrations on the nanoscale," said Jennifer Curtis, study's lead author.
"The spatial confinement of these reactions provides the precision required to generate complex chemical images like the Mini Lisa," said Curtis.
The Georgia Tech TCNL research collaboration produced chemical gradients of amine groups, but expects that the process could be extended for use with other materials.
"We envision TCNL will be capable of patterning gradients of other physical or chemical properties, such as conductivity of graphene," Curtis said.
"This technique should enable a wide range of previously inaccessible experiments and applications in fields as diverse as nanoelectronics, optoelectronics and bioengineering," said Curtis.
Another advantage, according to Curtis, is that atomic force microscopes are fairly common and the thermal control is relatively straightforward, making the approach accessible to both academic and industrial laboratories.
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