World's first recorded computer music restored

Scientists in New Zealand today said they have restored the world's earliest known recording of computer-generated music, created over 65 years ago using programming techniques devised by pioneering British computer scientist Alan Turing.
In 1951, a BBC outside-broadcast unit in Manchester in the UK used a portable acetate disc cutter to capture three melodies played by a primeval computer.
This gigantic computer filled much of the ground floor of Turing's Computing Machine Laboratory.
It was young schoolteacher and pianist Christopher Strachey who first programmed the UK national anthem God Save the King, debugging his programme during an epic all-night session with Turing's enormous computer.

Strachey later became known as one of Britain's pioneering computer scientists.
The complete 1951 recording included God Save the King, nursery rhyme Baa Baa Black Sheep and Glenn Miller hit In The Mood.

Decades later Professor Jack Copeland from University of Canterbury in New Zealand and fellow researcher Jason Long had to do some electronic sleuthing to recreate the historic sound accurately.
"Today all that remains of the recording session is a 12-inch single-sided acetate disc, cut by the BBC's technician while the computer played. The computer itself was scrapped long ago, so the archived recording is our only window on that historic soundscape," researchers said.

"What a disappointment it was, therefore, to discover that the frequencies in the recording were not accurate: the recording gave at best only a rough impression of how the computer sounded," they said.
There was a deviation in the speed of the recording, probably as a result of the turntable in BBC's portable disc cutter rotating too fast, researchers said.
However, with some electronic detective work, it proved possible to restore the recording - with the result that the true sound of this ancestral computer can be heard once again, for the first time in more than half a century.

The researchers were able to calculate exactly how much the recording had to be speeded up in order to reproduce the original sound of the computer.
"As well as increasing the speed - and so altering the frequencies - we also filtered out extraneous noise from the recording; and using pitch-correction software we removed the effects of a troublesome wobble in the speed of the recording. It was a beautiful moment when we first heard the true sound of Turing's computer," researchers said.