His loving friendship with Michelle sparkles in its solidity. He acknowledges the sacrifices she has made for him, and the pressures his political life thrust on her. When they first meet, she is “tailored and crisp, focused on her career and doing things the way they’re supposed to be done, with no time for nonsense.” She is also, briefly, his mentor. She is perhaps the reason, along with his grandmother and mother, remarkable and unusual women both, that he seems so genuinely alert to misogyny. He articulates the burdens women face, the double standards and unfairness, the contradictory impulses of a sexist world, with a fluidity and fluency that can oddly lead to a kind of resentment. It is like a beleaguered new mother in middle-class America, overwhelmed and leaking milk, who looks at her patient, helpful husband and feels a burst of rage because what she wants is not his empathy but a new world in which his empathy is redundant. Here at last is a man who gets it, and yet that he so perfectly gets it feels like an affront. Is it a clever metaphorical take on gender role reversal that he frequently describes the physical looks of men and not of women? We are told of the handsomeness of men like Charlie Crist and Rahm Emanuel, but not the beauty of women, except for one or two instances, as in the case of Sonia Gandhi.