The only problem is that in the first printing, the book jacket was slightly too large, making it prone to tear. “The jacket was produced one place, the book was produced someplace else,” Harrington explains. “So, it usually got chipped.”
About 20 years ago, Harrington continues, there was a vogue for restoring these damaged editions. “If there’s a chunk missing from the spine, a conservator fills it in so it looks like a nice copy,” he says. But original, untouched, mint-condition versions like the one he’s bringing to New York only turn up, he says, “every five years or so”.