After Bangladeshi artist Tayeba Begum Lipi interviewed a
transgender for her project, she was burdened by the enormous guilt of living a
comfortable life unlike her muse, who was abused several times in her early years.
She then decided to take a cue from her interview and present a parallel picture of
her own life in an exhibition.
Also Read
"Reversal Reality" is the 46-year-old's first solo show in the capital and will begin Jan 21 at the Shrine Empire gallery here.
An engaging short video would chronicle Anonya the transgender's life journey and the hurdles she had to overcome to be comfortable in her own skin.
And it was while listening to her journey that Lipi realised the importance of her
comfortable childhood.
"I felt guilty for my own life, my own childhood. I admit that this exhibition came
from the guilt of not knowing them or understanding their pain," Lipi told IANS in
an interview.
"But I feel better now. I have become friends with her and other transgenders who
often come to my house," she added.
The show documents the artist's meeting with Anonya and her exposure to the odds of
society. The show reflects not just this constant comparison of two different
childhoods but also of the loneliness and rejection faced by a transgender.
"The main problem is that these people are not even recognised as human beings by us. They are treated extremely badly and we often don't pay attention to such things when we are busy in our everyday life," said Lipi who is the co-founder of Britto's Art Trust in Dhaka.
Apart from the video, Lipi had picked an old bag and a shoe from Anonya's collection
to make a mould of it and then give it a structure with golden safety pins. The idea
was to recreate memories and evoke emotions of the growing up years.
"When I asked her if she could share any personal object from her childhood for this exhibition she did not have any. She left her home early because she was a 'hijra'
and hence moved from one place to another," Lipi said.
"But then I found out that she loved bags and shoes so I used these objects to
recreate those memories," she added.
Also to be displayed at the exhibition, which will conclude, will be some photographs of Anonya's childhood, an audio tape and two caskets representing death.
You’ve reached your limit of {{free_limit}} free articles this month.
Subscribe now for unlimited access.
Already subscribed? Log in
Subscribe to read the full story →
Smart Quarterly
₹900
3 Months
₹300/Month
Smart Essential
₹2,700
1 Year
₹225/Month
Super Saver
₹3,900
2 Years
₹162/Month
Renews automatically, cancel anytime
Here’s what’s included in our digital subscription plans
Exclusive premium stories online
Over 30 premium stories daily, handpicked by our editors


Complimentary Access to The New York Times
News, Games, Cooking, Audio, Wirecutter & The Athletic
Business Standard Epaper
Digital replica of our daily newspaper — with options to read, save, and share


Curated Newsletters
Insights on markets, finance, politics, tech, and more delivered to your inbox
Market Analysis & Investment Insights
In-depth market analysis & insights with access to The Smart Investor


Archives
Repository of articles and publications dating back to 1997
Ad-free Reading
Uninterrupted reading experience with no advertisements


Seamless Access Across All Devices
Access Business Standard across devices — mobile, tablet, or PC, via web or app
