Film: "Mile 22"; Director: Peter Berg; Cast: Mark Wahlberg, Lauren Cohan, Iko Uwais, Ronda Rousey, John Malkovich; Rating: *1/2
"Mile 22" is a loud, high-strung CIA-action drama that's tedious and confusing. The first 30 minutes you just grapple to understand what is happening on screen and thereafter it's no better.
At the 30 minute mark, you get a sane scene where a senior CIA Officer, James Bishop (John Malkovich) tells Mark Walhberg's character James Silva, "Your job is not about predicting tomorrow based on yesterday, that's what accountants do, your job is to prevent the end of tomorrow based on your brains and imagination, If you don't find the Cesium before it is too late, you'll be held responsible of the single largest intelligence foibles so f*****g wake-up." This dialogue gives you an inkling of what to expect.
The Cesium, is a nuclear substance which if released into the atmosphere, would have a devastating effect like, "Hiroshima and Nagasaki combined".
Under the leadership of James Bishop, the CIA manage to destroy most of the shipment of Cesium before the highly toxic substance can be weaponized to kill thousands. But, there is one consignment of Cesium that is missing and is still a cause of a threat.
Sixteen months later, an Indonesian policeman, Li Noor (Iko Uwais) comes to a US embassy saying that he has the locations of the missing substance, but would reveal the information in exchange for asylum.
So Silva and his unit take on the extremely dangerous operation of transporting Li, 22 miles to a plane that will get him to the US. This seems like a 'Mission-Impossible' situation or similar. But the thrill in the execution is missing.
The plot scripted by first-time screenwriter Lea Carpenter, from a story by her and Graham Roland, resembles that of many video games, as it involves getting a character from one point to the next with the maximum amount of threat, hurdles and collateral damage inhibiting the journey. While the film excels in action-sequences, the poorly developed characters mouthing dialogues in a frenetically excited manner just add to the chaos, thereby leaving the audience confused and disoriented at every turn.
So it goes without saying that the performance of its ace-cast is perfunctory and emotionless.
Mounted with a moderate budget, the production values of Production Designer Andrew Menzie, are run-of-the-mill. While the film exhibits snappy, razor-sharp edits, the background score is ear-deafening. The extremely loud and ear-piercing score tends to give you a headache.
Overall, the film about the unpredictability of counter terrorism efforts by the CIA is such a lowbrow, predictable affair.
--IANS
troy/pgh/
Disclaimer: No Business Standard Journalist was involved in creation of this content
You’ve reached your limit of {{free_limit}} free articles this month.
Subscribe now for unlimited access.
Already subscribed? Log in
Subscribe to read the full story →
Smart Quarterly
₹900
3 Months
₹300/Month
Smart Essential
₹2,700
1 Year
₹225/Month
Super Saver
₹3,900
2 Years
₹162/Month
Renews automatically, cancel anytime
Here’s what’s included in our digital subscription plans
Exclusive premium stories online
Over 30 premium stories daily, handpicked by our editors


Complimentary Access to The New York Times
News, Games, Cooking, Audio, Wirecutter & The Athletic
Business Standard Epaper
Digital replica of our daily newspaper — with options to read, save, and share


Curated Newsletters
Insights on markets, finance, politics, tech, and more delivered to your inbox
Market Analysis & Investment Insights
In-depth market analysis & insights with access to The Smart Investor


Archives
Repository of articles and publications dating back to 1997
Ad-free Reading
Uninterrupted reading experience with no advertisements


Seamless Access Across All Devices
Access Business Standard across devices — mobile, tablet, or PC, via web or app
