Cunningham, who was 87, died yesterday in New York City, according to Eileen Murphy, a spokeswoman for the newspaper. He had been hospitalised recently after suffering a stroke.
"To see a Bill Cunningham street spread was to see all of New York," New York Times Executive Editor Dean Baquet said in a tweet posted to the newspaper's Twitter account yesterday afternoon.
Cunningham began publishing a regular series of photographs in the Times in 1978 after a chance photograph of Greta Garbo got the attention of the storied paper. He was known for his trademark blue jacket and travelling by bicycle with a small camera bag strapped to his waist.
In a 2002 interview with the paper, Cunningham said he always tried to be as discreet as possible because "you get more natural pictures that way."
"I suppose, in a funny way, I'm a record keeper. More than a collector," he said. "I'm very aware of things not of value but of historical knowledge."
Taken between 1968 and 1976, he worked on a whimsical photo essay of models in period costumes posing against historic sites of the same vintage.
Astride his bike, he searched secondhand shops for antique clothing and looked for architectural sites across the city to create the perfect tableaux, many of which featured his muse and fellow photographer, Editta Sherman.
The result was "Facades," a book published in 1978. Cunningham donated nearly all of the 88 gelatin silver prints from the series to the New-York Historical Society.
