Unlike the over-hyped star-studded films tailor-made to pull more audience to theatres, these films balanced their 'masala' quotient with good content.
2014 saw over a dozen mainstream female-oriented films hitting the screen, perhaps the largest in the decade, making it a very encouraging period for women in Bollywood.
Filmmakers too did not shy away from giving their heroines author-backed, meaningful and unconventional roles in coming-of-age stories like 'Queen' 'Highway', 'Mary Kom' and 'Khoobsurat', which emerged winners.
The January release had a decent run at the box-office, partly due to Madhuri Dixit's return to Bollywood and also due to the 'feel-good' Urdu 'shayari'. A woman film in its own right, it saw an excellent camaraderie between Dixit (Begum Para) and her companion Huma Qureshi (Muniya) while touching upon the LGBT community.
Then came Imtiaz Ali's 'Highway', a visual treat cataloguing the landscapes of Northern India, in the backdrop of a kidnap drama involving the young daughter of a rich man, who finds freedom in her captivity. This nuanced film, chronicling the inner journey and anguish of the captor and the hostage, turned out to be Alia Bhatt's most mature performance till date.
The subject was better tackled in Nishta Jain's documentary 'Gulabi Gang' on the same group of pink-saree clad women fighting against caste oppression and gender violence in rural India.
In March came Vikas Bahl's 'Queen', a heart-warming and disarming journey of a naive Rajouri girl Rani (played by Kangana Ranaut to perfection), who embarks on a solo honeymoon after being dumped by her fiance.
'Queen', which premiered at Busan International Film festival, grossed Rs 61 crore at box office, a rare feat achieved by small-budget movie with a woman in the lead.
