“Are you okay?” A seemingly inadequate question to produce during someone’s time of grief. Yet, when Balya, a protagonist in Sabar Bonda, poses it to his bereaved friend Anand — away from the earshot of the relatives, who are too consumed by ritual organisation to worry about emotional comfort — it serves to put oxygen back in the airless room. A reminder that in painful situations it is not the language of a question that matters so much as the sincerity in its asking.
The response he receives is just as momentous for its naturalness: “I don’t know.” Anand has
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