The book’s genre-bending narrative is neither wholly academic nor fully journalistic. The author is very much present in the book, popping up now and then with her entertaining interviews with peculiar characters she encounters on the way to Banaras, Ajmer, Ayodhya, or anywhere. She lets her characters speak without being judgmental. Intermittently, you will meet the likes of Tulsidas, Meer, Ghalib, Dinkar, or Majrooh Sultanpuri. A section covers culture, language, and society.
Ms Wahab regales you with stories of wars, treaties, kinships and betrayals. The convergence of cultures is central to the narrative. Persian musical notes like Yamani and Kafi melded into the Indian Raga system, a la Amir Khusrau, and are still visible in our poetry, dance and classical singing. Sufis had a great influence on the region’s thought and culture. Even the Sultanate rulers indulged Sufi saints to win the trust of the majority while distancing themselves from Islamic hardliners. It wasn’t a coincidence that the green shoots of the Nirguna Bhakti movement also appeared around this time.