Films released in theatres score lowest on the Bechdel Test, shows data

Women hold around one-tenth of head of department (HOD) positions in the Indian media and entertainment industry, the report revealed

UK Asian Film Festival,bollywood, South Asians, South Asians cinema, Hindi movies, Shakila Maan, VHS tapes,South Asian cinema,George Cole, bollywood films, Madhuri Dixit, Amitabh Bachchan , Pakistan, Afghanistan diasporas, Indian diaspora, Mohammad R
Still from Ajji
Ashli Varghese New Delhi
1 min read Last Updated : Oct 26 2023 | 10:27 PM IST
Films released in theatres are least likely to have a meaningful speaking role for women, with nearly two-thirds failing the Bechdel Test.

To pass the Bechdel Test, a film must have at least one scene where two named women are talking to each other about something other than a man. For streaming series, the criterion was modified to at least three scenes, according to a report commissioned by Ormax Media, a media consulting firm, and Film Companion, and supported by Prime Video India, released on Thursday.

The report analysed 156 streaming and theatrical films and series, released in 2022 in eight Indian languages, including Hindi, Tamil, Telugu, Malayalam, Kannada, Punjabi, Bengali, and Gujarati, to study the changes in the industry since 2021.

Only 34 per cent of theatrical films and the majority of all content across platforms and languages failed the Test in 2022. Streaming films and series performed better (chart 1).


Representation of women shows a decline even in content with a female commissioning in-charge. Figures for the Bechdel Test and women's talk time in trailers were lower in 2022 than in 2021 for such female-commissioned projects (chart 2).


 
Women hold around one-tenth of head of department (HOD) positions in the Indian media and entertainment industry, the report revealed. It analysed data across key departments, including direction, cinematography, editing, writing, and production design. Female representation across these department head roles increased marginally from 10 per cent in 2021 to 12 per cent in 2022. This has resulted in a minuscule increase — not more than three per cent — in female representation in direction, cinematography, and editing (chart 3).


When a female commissioning in-charge leads projects, the representation of female HODs increased from 17 per cent in 2021 to 22 per cent in 2022. This share of female representation fell from 8 per cent to 7 per cent when a man was the commissioning in-charge of the projects, noted the report.

One subscription. Two world-class reads.

Already subscribed? Log in

Subscribe to read the full story →
*Subscribe to Business Standard digital and get complimentary access to The New York Times

Smart Quarterly

₹900

3 Months

₹300/Month

SAVE 25%

Smart Essential

₹2,700

1 Year

₹225/Month

SAVE 46%
*Complimentary New York Times access for the 2nd year will be given after 12 months

Super Saver

₹3,900

2 Years

₹162/Month

Subscribe

Renews automatically, cancel anytime

Here’s what’s included in our digital subscription plans

Exclusive premium stories online

  • Over 30 premium stories daily, handpicked by our editors

Complimentary Access to The New York Times

  • News, Games, Cooking, Audio, Wirecutter & The Athletic

Business Standard Epaper

  • Digital replica of our daily newspaper — with options to read, save, and share

Curated Newsletters

  • Insights on markets, finance, politics, tech, and more delivered to your inbox

Market Analysis & Investment Insights

  • In-depth market analysis & insights with access to The Smart Investor

Archives

  • Repository of articles and publications dating back to 1997

Ad-free Reading

  • Uninterrupted reading experience with no advertisements

Seamless Access Across All Devices

  • Access Business Standard across devices — mobile, tablet, or PC, via web or app

Topics :women in BollywoodIndian film industryOTTtheatres

Next Story