Are Hindi-speaking markets and the four southern states really poles apart on TV viewing habits?
One big change in the South is the rising viewership of what TAM defines as “national channels” (largely Hindi and English).
From about seven per cent of the total viewership in the South in 2005, the share of “national channels” has gone up to 14 per cent in 2009. Some of this rise is clearly because of migration.
With a booming economy, Tamil Nadu attracts a lot more outsiders — foreigners and Indians — than it did earlier.
During the conference, much of the discussion in the television sessions and otherwise focused on the differences between Hindi-speaking audiences and the southern ones.
Radhikaa Sarath Kumar, Chairperson, Radaan Media Works, a television software company, kept emphasising on how the South prefers well-scripted, cause-based, strong characters unlike the weepy ones on Hindi channels.
G K Mohan, an independent TV producer from Andhra Pradesh, was emphatic that unlike Hindi channels, soaps, not reality shows, were the staple (the sambar-rice) of television in the four southern states.
That is true for Hindi-speaking audiences, too. Over the last 10 years they have shown an overwhelming preference for strong characters who can break out of societally impossible situations, going by the shows that topped the charts. So, for every Chitti in Tamil there is a Saat Phere in Hindi.
Viewership after 10 pm in the four southern states is just about half of that in Hindi speaking markets.
There is, however, one very important difference in the two markets. Southern audiences do not watch repeats; it is a completely original content market.
That logically would mean higher operating costs for the broadcaster.
But costs for South Indian broadcasters remain lower, that is because buying non-Hindi content is four-six times cheaper than Hindi.
This also makes the southern market a more profitable one for programme producers. That is because many southern channels, especially the dominant Sun Network, rent out airtime slots. So, a Balaji Telefilms, for instance, buys a slot on the (Tamil) Sun TV and then markets some proportion of the airtime. Under this arrangement it owns the intellectual property. It can then syndicate the show to other markets, countries or channels. So, from a margin perspective the south is, arguably, a better market for TV content makers. It is on volumes that the Hindi speaking markets, where broadcasters buy content outright, make up.
You’ve reached your limit of {{free_limit}} free articles this month.
Subscribe now for unlimited access.
Already subscribed? Log in
Subscribe to read the full story →
Smart Quarterly
₹900
3 Months
₹300/Month
Smart Essential
₹2,700
1 Year
₹225/Month
Super Saver
₹3,900
2 Years
₹162/Month
Renews automatically, cancel anytime
Here’s what’s included in our digital subscription plans
Exclusive premium stories online
Over 30 premium stories daily, handpicked by our editors


Complimentary Access to The New York Times
News, Games, Cooking, Audio, Wirecutter & The Athletic
Business Standard Epaper
Digital replica of our daily newspaper — with options to read, save, and share


Curated Newsletters
Insights on markets, finance, politics, tech, and more delivered to your inbox
Market Analysis & Investment Insights
In-depth market analysis & insights with access to The Smart Investor


Archives
Repository of articles and publications dating back to 1997
Ad-free Reading
Uninterrupted reading experience with no advertisements


Seamless Access Across All Devices
Access Business Standard across devices — mobile, tablet, or PC, via web or app
