Shakespeare's India is exceptionally rich: Indian envoy to UK

India was not unknown to iconic playwright William Shakespeare whose depiction showed the country as "exceptionally rich" with precious stones, its people deeply religious and its women famed for their dark beauty, Indian High Commissioner to the UK Navtej Sarna said.
Speaking on behalf of the diplomatic corps at the 452nd birthday celebrations yesterday of the Bard at Stratford-upon- Avon, his birthplace, Sarna said: "Shakespeare lived for the most part of his life at the time when India was ruled by Akbar, the great Moghul.
"Yet India was not unknown to Shakespeare... He picked up information and stories from sailors in London and his imagination did the rest. His India is exceptionally rich, famous for its precious pearls and stones, its people are deeply religious and its veiled women were famed for their dark beauty."

He noted that there are various references to India in Shakespearean plays, with four references in "A Midsummer Night's Dream".
"The earliest reference to India occurs in "King Henry VI" (Act III, Scene I): "My crown is on my heart, not on my head; not decked with diamonds and Indian stones, nor to be seen: my crown is called content, a crown it is that seldom kings enjoy."
There are other references too in "Troilus and Cressida", "The Merchant of Venice" and "All's Well that Ends Well".

Sarna said that by the mid-1700s, less than 150 years after the world's pre-eminent dramatist's death, his plays had started being enacted in Calcutta and Bombay, for the entertainment of European traders.

"The earliest dramatisations of Shakespeare by Indians were of scenes in schools and colleges. 1822 is the first such known performance at Hindu College, Calcutta. It initiated a tradition which had continued to this day. In the next 100 years, the first translations of Shakespeare in an Indian language were ready," he said.
The High Commissioner said it was only a matter of time before filmmakers in India began to mine Shakespeare for material.
"In one of the earliest talking movies or talkies as they were known, the filmmaker and actor Sohrab Modi played Hamlet in his movie called "Khoon" (1935). This was followed in 1941, J J Madan's take on "The Merchant of Venice" - "Zalim Saudagar".

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"So in today's India, you can find an arts foundation in Chennai staging an annual festival rather proprietorially called 'hamara' Shakespeare (our Shakespeare), asserting a new affinity with the poet. Another festival called 'Reimagining Shakespeare' focusses on adaptation, translation, pastiche and parody of the bard's great works."
He referred to a recently-conducted YouGov poll for the British Council that covered 18,000 people across 15 countries to mark the 400th death anniversary of the Bard this month.
According to the report titled 'All the World's', as many as 83 per cent of Indians said they understood Shakespeare, compared to just 58 per cent of Britons.

More than a third of people questioned said Shakespeare made them feel more positive about the UK in general, with the figures highest in India (62 per cent).
"The simple fact is that Shakespeare does not belong to any one country, or in fact to any one language... A man who had such a fine understanding of human nature that he wrote the most definitive lines on each aspect of it - to cover jealousy, rage, ambition, love, guilt, power... And so on and so forth belongs to humanity as a whole and particularly for the English-speaking world, who can own the mind that gave the language 2,000 words and several catch phrases.

"But for Shakespeare, we would not have 'barefaced' or 'leapfrog' or 'lonely' to name just three words or phrases like 'one fell swoop', 'the sound and fury', 'tower of strength'," added Sarna.