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The issue raised above concerns the external/outer life of Delhi or Shahajanabad. Dr Liddle’s book evokes the inner life of the city — and she moves effortlessly from the inner chambers and courtyards of Lal Qila to the streets and lanes of Chandni Chowk, Daryaganj and the environs of Jama Masjid. Her narrative covers the lives of Mughal Emperors trying desperately, if pathetically, to cling to the vestiges of authority and dignity, of British residents ensconced in Delhi to control and undermine the position of the Emperors, of poets lamenting the passing of an era, of merchants and bankers seeking to preserve and enhance their fortunes by wagering on the winning side and, importantly, the common people of Delhi, the mute witnesses of history who, much to the surprise of the British, decided in the summer of 1857 to take arms against the firangi. Dr Liddle’s book in its sweep and in its details captures all these layers. The title of her book — borrowed from a poem by Qadir Baksh — is apt but her narrative is hardly ever broken.
In many ways, this is a very good book studded with unknown gems of information. My only grouse against it is that the author is so concerned with fashioning a coherent narrative from a broken script that she often ignores the crucial point of causality. How things unfolded is presented by Dr Liddle in rich detail. But why things happened the way they did does not receive sufficient attention, in many places no attention at all. Through the broken script, Dr Liddle presents a chronicle of Mughal Delhi in its twilight but like all chronicles, it does not rise to the level of history. This book leaves the reader asking for a little more.
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