Only the canvas is replaced by a muslin handkerchief, which is embroidered with motifs of pahari miniature paintings.
Popularly known as the 'Chamba Rumal', a handicraft tradition that flourished in Chamba (Himachal Pradesh) in the 18th and 19th centuries, is on the wane, and breathing a fresh lease of life into the art form is a new exhibition, 'Raas: Life to a dying art'.
Orgainsed by Delhi Crafts Council (DCC), the six-day exhibition underway at India Habitat Centre here, has on display an array of 'rumals' in different sizes, the largest being 60 X 48 inches.
Several motifs also include those of Lord Krishna.
"Traditionally, pahari miniature artists, usually men, drew outlines on fine handspun and hand woven unbleached muslin. After which, upper class women then embroidered upon these compositions using untwisted coloured silk floss.
"The double satin stitch technique used is known as 'do-rukha' and ensures exact duplication of the image on the reverse," says Purnima Rai from DCC, which has been working towards the revival of the craft since 1992.
Rai says the 'rumals' which were once used to cover offerings made to Gods and exchanged during marriages as a token of goodwill, were gradually losing their relevance in the present times.
"However, we decided to renew the tradition and revive it by initiating a series of measures, including training and skilling of artisans, besides making efforts to popularize them," she says.
The Council is also offering guided tours of the exhibition to provide vieweres with an in-depth understanding of the art form.
The exhibition is set to conclude on April 8.
Disclaimer: No Business Standard Journalist was involved in creation of this content
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