To what can we attribute the Uttar Pradesh government’s decision to demote the Taj Mahal as a tourist attraction? Bigotry? Stupidity? Forgetfulness? It is not easy to say, though given the atmosphere and the times we are living in, the answer is obvious. However, we should not be particularly concerned by this act of spitting at the sun from our Hindutva-minded friends. The Taj needs no marketing and it is one of only three man-made structures that are instantly recognisable anywhere in the world, the other two being the Great Pyramid of Giza and the Eiffel Tower.
These are also the only three structures that the average human, whether Nigerian or New Zealander, can sketch from memory because their lines are clean and elegant and therefore memorable. Anyone who has an idea of what goes into a building being designed from the bottom up will know what it took to make the Taj.
Shah Jahan is not my favourite Mughal and I will explain why in a bit as we take a look at some interesting aspects of our most famous dynasty. But he was without question the finest builder of any Indian ruler in history.
His major contributions are three. First, the peacock throne, which was actually a large room-sized structure that was dismantled when not being used. It was extraordinarily detailed (apparently there were bejewelled peacocks in the four corners). What was looted by Nadir Shah was likely only the actual seat, which was but a single component of something grand in scale.
Second, the city of Shahjahanabad, which we know today as Old Delhi, with the Red Fort and the Jama Masjid, both classic buildings, and its organised street plan, possibly the first in India after the Indus Valley towns. And third the Taj, which was actually his first project. Shah Jahan absolutely nailed it, producing a perfect building admired by the entire world.
Mark Twain, who came to Agra on a package tour around the world, was moved enough by it to believe that the world was divided into those who had seen the Taj and those who hadn’t. In his work, Following the Equator, Twain also called it “the most celebrated construction in the earth”. Having seen it in the day and at night, he wrote: “I knew all the time, that of its kind it was the wonder of the world, with no competitor now and no possible future competitor.”
The visitor today will be struck by how enormous the thing is, a truly magnificent monument. Rabindranath Tagore called it, because it was constructed in grief for a beloved wife (Mumtaz Mahal and Shah Jahan had 14 children), “a teardrop on the cheek of time”. I suspect the real reason so much money was spent on a dead wife wasn’t love but respect.
It may surprise the reader to know that after it was finished, Shah Jahan visited the Taj only twice. There is a letter from Aurangzeb to him after a visit, reporting that the dome was leaking and needed to be fixed. Shah Jahan wasn’t bothered: he had moved on to designing his next project, Shahjahanabad, shifting the Mughal capital from Agra.
These are also the only three structures that the average human, whether Nigerian or New Zealander, can sketch from memory because their lines are clean and elegant and therefore memorable. Anyone who has an idea of what goes into a building being designed from the bottom up will know what it took to make the Taj.
Shah Jahan is not my favourite Mughal and I will explain why in a bit as we take a look at some interesting aspects of our most famous dynasty. But he was without question the finest builder of any Indian ruler in history.
His major contributions are three. First, the peacock throne, which was actually a large room-sized structure that was dismantled when not being used. It was extraordinarily detailed (apparently there were bejewelled peacocks in the four corners). What was looted by Nadir Shah was likely only the actual seat, which was but a single component of something grand in scale.
Second, the city of Shahjahanabad, which we know today as Old Delhi, with the Red Fort and the Jama Masjid, both classic buildings, and its organised street plan, possibly the first in India after the Indus Valley towns. And third the Taj, which was actually his first project. Shah Jahan absolutely nailed it, producing a perfect building admired by the entire world.
Mark Twain, who came to Agra on a package tour around the world, was moved enough by it to believe that the world was divided into those who had seen the Taj and those who hadn’t. In his work, Following the Equator, Twain also called it “the most celebrated construction in the earth”. Having seen it in the day and at night, he wrote: “I knew all the time, that of its kind it was the wonder of the world, with no competitor now and no possible future competitor.”
The visitor today will be struck by how enormous the thing is, a truly magnificent monument. Rabindranath Tagore called it, because it was constructed in grief for a beloved wife (Mumtaz Mahal and Shah Jahan had 14 children), “a teardrop on the cheek of time”. I suspect the real reason so much money was spent on a dead wife wasn’t love but respect.
It may surprise the reader to know that after it was finished, Shah Jahan visited the Taj only twice. There is a letter from Aurangzeb to him after a visit, reporting that the dome was leaking and needed to be fixed. Shah Jahan wasn’t bothered: he had moved on to designing his next project, Shahjahanabad, shifting the Mughal capital from Agra.
It may surprise the reader to know that after it was finished, Shah Jahan visited the Taj only twice. Photo: iStock

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