How World War I changed the weather for good

During war weather forecasting turned from a practice based on looking for repeated patterns in past

Culture has rarely tired of speaking about the weather. Pastoral poems detail the seasonal variations in weather ad nauseam, while the term “pathetic fallacy” is often taken to refer to a Romantic poet’s wilful translation of external phenomena – sun, rain, snow – into aspects of his own mind. Victorian novels, too, use weather as a device to convey a sense of time, place and mood: the fog in Dickens’s Bleak House (1853), for example, or the wind that sweeps through Emily Bronte’s Wuthering Heights (1847).

And yet the same old conversations fundamentally changed tense