A year ago, shock waves rippled through the arts world when the Pulitzer Prize in Music, almost always bestowed on a classical composer, was awarded to Kendrick Lamar’s album “DAMN.”
“This is a big moment for hip-hop music and a big moment for the Pulitzers,” Dana Canedy, the prizes’ administrator, said then. “I never thought I’d be a part of it,” Mr Lamar told Vanity Fair about the prize. “It’s one of those things that should have happened with hip-hop a long time ago.”
It was not only the first time the prize had gone to a hip-hop work; never before

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