Of the senior professors at MIT other than Samuelson and Solow, I had a somewhat close relationship with Paul Rosenstein-Rodan, a pioneer in development economics. He had grown up in Vienna and taught in England before reaching MIT. He had advised governments in many countries, and was full of stories. In India he knew Nehru and Sachin Chaudhuri well. He had an excited, omniscient way of talking about various things. At the beginning of our many long conversations he asked me what my politics was like. I said “left of centre, though many Americans may consider it too far left while several of my Marxist friends in India do not consider it left enough”. As someone from “old Europe” he understood, and immediately put his hand on his heart and said, “My heart too is located slightly left of centre.”
One of his many stories involved his trip to rural Egypt. He was traveling in the countryside in a car in the early evening. He saw a big field in one village where people were gathering for a cinema show; he stopped there, and as he walked closer to the place he saw that the large screen was made of rather thin paper. So, he asked his Egyptian companion why it was paper, not the usual cloth screen; the latter asked him to wait, he’d soon know why. Then the film started, and sure enough it was a Bombay film, where at the beginning the villain was winning both in the fight scenes with the hero and also in the love scenes with the heroine. As this went on for some time the viewers were getting angrier and angrier, at one point they couldn’t take it anymore, they all stood up and with great fury started throwing their little knives at the screen, which soon got badly perforated. The projector was then stopped, and another paper screen was installed before the film could continue to its ultimate crowd-satisfying end.
In the MIT faculty, apart from the other assistant professors, I got to know reasonably well Peter Diamond (in public economics, a future Nobel laureate), Karl Shell (a growth theorist), Richard Eckaus (a development economist), and Peter Temin (an economic historian). But I became particularly friendly with some of the graduate students who had either just finished their dissertation or were soon going to. In the former group were George Akerlof (another future Nobel laureate) and Mrinal Datta-Chaudhuri (a Santiniketan classmate of Amartya-da, doing his dissertation a bit late in his academic life—Samuelson for fun used to call him Chatta-Daduri).
Also Read: Charaiveti: An Academic's Journey Part 1 to 17
Mrinal soon became one of the best friends I ever had (more on him later). George is one of the most imaginative and creative economists around, his Woody Allenesque anxiety-prone and easily-frazzled manners hide his powerful mind. He also became a good friend whom I saw a lot more later as a colleague at Berkeley. At MIT I was often together with Joe Stiglitz, George, and Mrinal — this was the most sparkling set of companions I could imagine. (Through them I also got to meet the distinguished growth theorist Hirofumi Uzawa — more on him later). Among all of us, Joe was then in a phase of spectacular productivity, publishing numerous first-rate papers.
One of his many stories involved his trip to rural Egypt. He was traveling in the countryside in a car in the early evening. He saw a big field in one village where people were gathering for a cinema show; he stopped there, and as he walked closer to the place he saw that the large screen was made of rather thin paper. So, he asked his Egyptian companion why it was paper, not the usual cloth screen; the latter asked him to wait, he’d soon know why. Then the film started, and sure enough it was a Bombay film, where at the beginning the villain was winning both in the fight scenes with the hero and also in the love scenes with the heroine. As this went on for some time the viewers were getting angrier and angrier, at one point they couldn’t take it anymore, they all stood up and with great fury started throwing their little knives at the screen, which soon got badly perforated. The projector was then stopped, and another paper screen was installed before the film could continue to its ultimate crowd-satisfying end.
In the MIT faculty, apart from the other assistant professors, I got to know reasonably well Peter Diamond (in public economics, a future Nobel laureate), Karl Shell (a growth theorist), Richard Eckaus (a development economist), and Peter Temin (an economic historian). But I became particularly friendly with some of the graduate students who had either just finished their dissertation or were soon going to. In the former group were George Akerlof (another future Nobel laureate) and Mrinal Datta-Chaudhuri (a Santiniketan classmate of Amartya-da, doing his dissertation a bit late in his academic life—Samuelson for fun used to call him Chatta-Daduri).
Also Read: Charaiveti: An Academic's Journey Part 1 to 17
Mrinal soon became one of the best friends I ever had (more on him later). George is one of the most imaginative and creative economists around, his Woody Allenesque anxiety-prone and easily-frazzled manners hide his powerful mind. He also became a good friend whom I saw a lot more later as a colleague at Berkeley. At MIT I was often together with Joe Stiglitz, George, and Mrinal — this was the most sparkling set of companions I could imagine. (Through them I also got to meet the distinguished growth theorist Hirofumi Uzawa — more on him later). Among all of us, Joe was then in a phase of spectacular productivity, publishing numerous first-rate papers.
Yan Chi Vinci Chow (Wikimedia Commons)
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