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When the 1960 magnum opus Mughal-e-Azam was restored and released in full colour in 2004, it opened up a new field of work for the film fraternity — restoring old films that lay in the libraries of film studios gathering dust. A new breed of restoration specialists emerged who are now breathing new life into many films.
These specialists are in demand. “Television channels and video-streaming majors increasingly demand good broadcast-quality digital prints of classics. It’s a growing business,” says Rajeev Dwivedi, chief executive officer, Live Pixel Technologies, a Mumbai-based company that specialises in this area.
Dwivedi is best known
These specialists are in demand. “Television channels and video-streaming majors increasingly demand good broadcast-quality digital prints of classics. It’s a growing business,” says Rajeev Dwivedi, chief executive officer, Live Pixel Technologies, a Mumbai-based company that specialises in this area.
Dwivedi is best known
