Walking through near-empty galleries of the expanded Museum of Modern Art in New York on its first day of press previews, I experienced serendipity at the MoMA for the first time ever. I turned a corner and stumbled across a vitrine with Meret Oppenheim’s fur cup from 1936 in front of Frida Kahlo’s Self Portrait with Cropped Hair from 1940; I walked to the left and was suddenly in front of Henri Matisse’s superstar work, Dance (I), from 1909.
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