Touch, please. What’s being billed as the world’s first all-digital museum is part art gallery, part amusement park and for some, part haunted house.
Some things typically found in an art museum are missing: There are no guide maps, no descriptions, and no signs warning viewers to keep their hands off the art work. In fact, there are no works of art — in the usual sense of paintings or objects behind glass cases.
At the MORI Building Digital Art Museum in Tokyo, a collaboration between the developer and art collective TeamLab, light and space is the art. Visitors navigate a maze of dark, empty rooms, stepping into or onto about 50 kaleidoscopic installations that are triggered by motion sensors and projected across every surface of the 100,000-square-foot exhibit space, waiting to be discovered.
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Without all the lights, the museum space would be a bunch of empty halls with black walls and carpeted floors.
“Each visitor can enjoy this experience in their own way,” said Ou Sugiyama, who heads the museum. “The title of the exhibit is ‘Borderless’ and it’s meant to signify how the immersive works keep boundaries between visitors in a state of continuous flux.”
Owing to projection-mapping technology, the artworks react to movement and touch, inviting museum-goers to imagine they possess new superpowers. “With the 2020 Tokyo Olympics and Paralympics coming up we wanted to offer the world something unique, making our city even more magnetic,” Sugiyama added.
In a room called the “Forest of Lamps,” hundreds of lamps hang at different heights over a mirrored floor. When visitors enter the space, light spreads from lamp to lamp, like fire.