Brand building tools were pretty simple in the India of the 50s, 60s and 70s. You made an ad film and ran it in movie theatres for a year or two. The print ads ran in magazines for months unchanged. All this was transformed when television became an important medium. In the early 80s I remember discussing the difference between television and cinema advertising with the leading ad makers of that time. It looks obvious now, but most brands ran the same ad that they ran in cinema on television screens. A few agencies were experimenting with multiple ad formats and I was lucky to be working in one of them. When quizzed about the difference between making an ad for cinema versus making one for TV, the film-makers explained that the medium of television is watched at home, it is a black and white medium [till the Asian Games of 1982], the screen is small — 20 inches or a little more — the audio quality suspect and, most importantly, you get to reach the same audience every week or every day, unlike cinema. The realisation of the differences in the medium of TV and cinema created a whole new genre of advertising. Stories became shorter and were told with tight close-ups and dialogues. Multiple ad formats evolved quickly. Panoramic shots were reduced. Indian brands managed to transition from the age of audio-visual advertising, which was large screen on cinema, to one that was small screen at home. Interestingly, with large format TVs gaining ground, panoramic ad films are making a comeback.
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