You are here: Home » News-IANS » Art-Culture-Books
Business Standard

The dark side of Karachi and its violent politics (Book Review)

IANS 

Title: The Party Worker; Author: Omar Shahid Hamid; Publisher: Pan Macmillan India; Pages: 336; Price: Rs 399

Of all vendettas, the most vicious centre on politics, where they can encompass some of the strongest motives -- pride, honour, power, money and sex. The high-flyers not only forget those who have helped them but, with more adverse consequences, those they have offended and are hiding massive grudges under outward obsequiousness. These unexpected assailants can wait years for their chance -- as we find here.

Masterfully utilising Karachi as a backdrop, with its chaotic, complicated and (lethally) combative power plays, Pakistani police officer-cum-novelist Omar Shahid Hamid delivers another gritty account of the unprepossessing, unsavoury but undeniable link between politics, crime, law enforcement, (some) media -- and terrorism.

But his third novel -- after the intricately-plotted hostage drama "The Prisoner" (2013) and the unsettling "jihadi noir" "The Spinner's Tale" (2015) -- takes a wider sweep and a different perspective.

It actually begins in New York where an abortive attempt to murder a recently-arrived Pakistani actually ends up killing a Jewish woman professor. While the police take some action, taking a closer look is a committed NYPD detective, who determines a self-exiled Pakistani politician living in the city needs to be questioned. However, he learns that Mohammad Ali Pichkari has powerful protectors.

Meanwhile, in Karachi, an octogenarian Parsi businessman, with a firm aim to bring down Pichkari, soon receives an offer of help from an unexpected source, while on the other side of the fence, a small-time journalist, whose attempt to make some money lands him in serious jeopardy, finds he can twist the situation to his advantage.

Connecting all these men and more is Asad Haider, the New York target, who we learn had been an unconscionable hatchet-man for Pichkari, until he balked at his latest order, and was "rewarded" with the murder of his old grandmother and his mistress and her family, as well as his own "death sentence".

And though Haider, who survives the attempt, is deported to Karachi, he manages to find some protection and become the instrument of those who bring down Pichkari.

Who accomplishes it and how forms the crux of the sometimes viscerally disturbing, but compellingly readable, book.

Hamid, whose debut book showed Karachi through the eyes of policemen (easy, given his decade-long police service, including in Karachi Police's Counter Terrorism Department), displayed more of his expertise in the second, where it is a brutal jihadi who is focus. This one shows him at his most gifted, for now he seamlessly adopts the perspective of political workers, no matter how venal or murderous.

Though anyone with some knowledge of Karachi and its politics would have no problem in knowing who Pichkari and his United Front are stand-ins for, the author is too astute to make that his sole aim.

Instead, he offers a range of unforgettable characters (both Pakistani and foreign) spanning politicians, policemen, spies, criminals, journalists, mullahs and more with varying degrees of duplicity, depravity or dedication, along with some sordid but incisive insights into winning and maintaining power in, policing or even living in Karachi.

Be it that ubiquitous form of political canvassing in South Asia: wall graffiti, which one character likens to "Twitter for the masses", or how to source effective bombs to use against political opponents and their too-enthusiastic voters.

As the same character observes: "And the fact that the bombs were made by a Taliban expert was the greatest guarantee of their safety. You see, the fellow who made them was a genuine artist who understood precision and collateral damage.... In this city, if you want something done right, go to the Taliban."

There are many more.

But those who have read Hamid's earlier books will find it disappointing that characters from his debut work, specially Akbar Khan (modelled on the legendary late Chaudhry Aslam, a colleague of the author), only crop up briefly and offstage.

It would have been good to see Constantine, Tarkeen and the others again but the sweep and flow of this book does not allow you to mourn their absence for long.

(Vikas Datta can be contacted at vikas.d@ians.in)

--IANS

vd/sac

(This story has not been edited by Business Standard staff and is auto-generated from a syndicated feed.)

Dear Reader,


Business Standard has always strived hard to provide up-to-date information and commentary on developments that are of interest to you and have wider political and economic implications for the country and the world. Your encouragement and constant feedback on how to improve our offering have only made our resolve and commitment to these ideals stronger. Even during these difficult times arising out of Covid-19, we continue to remain committed to keeping you informed and updated with credible news, authoritative views and incisive commentary on topical issues of relevance.
We, however, have a request.

As we battle the economic impact of the pandemic, we need your support even more, so that we can continue to offer you more quality content. Our subscription model has seen an encouraging response from many of you, who have subscribed to our online content. More subscription to our online content can only help us achieve the goals of offering you even better and more relevant content. We believe in free, fair and credible journalism. Your support through more subscriptions can help us practise the journalism to which we are committed.

Support quality journalism and subscribe to Business Standard.

Digital Editor

First Published: Tue, February 07 2017. 10:20 IST
RECOMMENDED FOR YOU
RECOMMENDED FOR YOU