Charaiveti: An academic's journey-4
In the author's childhood, politics in the his neighbourhood was dominated by the Communist Party, and the communists were often enthusiastic participants in those religious festivals
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In my Kolkata neighbourhood there was one kind of collective action that was unusually successful — this related to religious festivals. Every autumn there was a tremendous collective mobilisation of neighbourhood resources and youthful energy in organising the local pujas for one deity or another, and on these occasions almost the whole community participated with devout dedication and considerable ingenuity (including openly pilfering from the public electricity grid for the holy cause — this art locally known as “hooking”).
These festivals had both religious and cultural dimensions, and Bengali society being highly politicised, politics was not far behind. In my childhood politics in my neighbourhood was dominated by the Communist Party, and contrary to what you’ll expect, the communists were often enthusiastic participants in those religious festivals. The main difference with the pujas of non-communist localities was in the brochures they produced on these occasions (in our neighbourhood they would, for example, invoke the goddess Kali, the fierce deity of destruction, to come and slay the forces of the evil demon of capitalism) and in the list of celebrity artists they’d invite for their cultural soirees, containing mainly those of leftist persuasion.
Many years later when my Italian classmates in England used to discuss Catholic Marxism in their country — on one occasion I even participated in a vigorous discussion with them on the famous film by the Marxist poet-director Pier Paolo Pasolini titled The Gospel According to St. Matthew — I told them about the communist Kali-worshippers of my neighbourhood in Kolkata. I also told them of a communist activist Brahmin neighbour who combined, with touching sincerity, his daily activities as a mantra-chanting family priest in several households with his indefatigable party propaganda work every morning at the street-crossing near our house, trying to catch hold of passersby and apprising them of the evil doings of the ruling capitalist-lackey party and his marching in the streets in his lunch break from office work shouting slogans against American imperialism.
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This fluidity of ideology and practice only adds, as I told my Italian friends, to a long list of common characteristics India shares with Italy: a culturally-rich civilizational legacy, great cuisine, good-looking women (with liquid eyes), dysfunctional bureaucracy, mafia-controlled localities, widespread corruption, chaotic traffic, messy politics (Galbraith’s widely-cited description of India as a “functioning anarchy” is equally applicable to parts of Italy), and a general sense of triumph in evading laws (Italians have an expression: “Fatta la legge, trovato l’inganno” — no sooner is a law passed than someone finds a way to dodge it). One may now add to this list the ominous rise of right-wing populism in both countries, particularly in northern India and northern Italy.
These festivals had both religious and cultural dimensions, and Bengali society being highly politicised, politics was not far behind. In my childhood politics in my neighbourhood was dominated by the Communist Party, and contrary to what you’ll expect, the communists were often enthusiastic participants in those religious festivals. The main difference with the pujas of non-communist localities was in the brochures they produced on these occasions (in our neighbourhood they would, for example, invoke the goddess Kali, the fierce deity of destruction, to come and slay the forces of the evil demon of capitalism) and in the list of celebrity artists they’d invite for their cultural soirees, containing mainly those of leftist persuasion.
Many years later when my Italian classmates in England used to discuss Catholic Marxism in their country — on one occasion I even participated in a vigorous discussion with them on the famous film by the Marxist poet-director Pier Paolo Pasolini titled The Gospel According to St. Matthew — I told them about the communist Kali-worshippers of my neighbourhood in Kolkata. I also told them of a communist activist Brahmin neighbour who combined, with touching sincerity, his daily activities as a mantra-chanting family priest in several households with his indefatigable party propaganda work every morning at the street-crossing near our house, trying to catch hold of passersby and apprising them of the evil doings of the ruling capitalist-lackey party and his marching in the streets in his lunch break from office work shouting slogans against American imperialism.
Read Also: Charaiveti: An academic's journey-3
This fluidity of ideology and practice only adds, as I told my Italian friends, to a long list of common characteristics India shares with Italy: a culturally-rich civilizational legacy, great cuisine, good-looking women (with liquid eyes), dysfunctional bureaucracy, mafia-controlled localities, widespread corruption, chaotic traffic, messy politics (Galbraith’s widely-cited description of India as a “functioning anarchy” is equally applicable to parts of Italy), and a general sense of triumph in evading laws (Italians have an expression: “Fatta la legge, trovato l’inganno” — no sooner is a law passed than someone finds a way to dodge it). One may now add to this list the ominous rise of right-wing populism in both countries, particularly in northern India and northern Italy.
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