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Uttaran Das Gupta is a writer and journalist based in New Delhi. He teaches journalism at O P Jindal Global University and has received the Robert Bosch Media Fellowship and Chevening South Asia Journalism Fellowship. He writes columns for Business Standard and The Wire, and is the author of two books.
Uttaran Das Gupta is a writer and journalist based in New Delhi. He teaches journalism at O P Jindal Global University and has received the Robert Bosch Media Fellowship and Chevening South Asia Journalism Fellowship. He writes columns for Business Standard and The Wire, and is the author of two books.
Book review of Amit Chaudhuri's 'Sweet Shop'
What one encounters in this slim volume is rare for a first book - a mature style, a confident voice, none of the fumbles of a younger poet's first book
For booklovers, of course, Old Delhi was a treat, but also for those planning to pick up stationary at a discount
On Friday, the BBC reported that many Indians were celebrating the decision of the Indian government to abrogate certain provision of Article 370
Vishal Bharadwaj's Haider makes an appeal for peace by eschewing a politics of violence and revenge
Mr Halder has used the tool of oral narratives, which is becoming more and more popular among journalists and historians, especially for documenting atrocities against the disenfranchised
It is unfashionable these days to imagine the narrative first person as that of the poet
Does political poetry have any value at all?
Govind Nihalani's 'Ardh Satya' takes an uncompromising look at how the system breaks down a police officer
As in almost all his novels, Mr Ghosh opens up new areas of discussion and debate
Discovering Mahapatra is not unlike discovering India's deep soul
A nearly forgotten Raj Kapoor film shows us what a society can become when it surrenders to vigilante justice
Those sceptical of the power of poetry might find this a tad fanciful, but what's the purpose of poetry if it can't even introduce a willing suspension of disbelief?
If not the internet, how influential are opinion poll or forecasts, like the ones that Roy and Sopariwala do?
The influence of Shakespeare on Indian cinema has been so vast and has been written about so much that one would pick up the book under review with some scepticism
The riot creeps in like a mishap that ruins a thoroughly enjoyable trip, and disorients everyone who is a part of it, says Radhika Oberoi
Lessons actor-filmmaker Amol Palekar can learn from Hrishikesh Mukherjee's Gol Maal
The journey through the 40 poems in this volume is neither linear, nor constrained by geography
Uri assigns vengeance as the motive for the army operation it valorises and this is what I find deeply problematic
Tapan Sinha's Ek Doctor Ki Maut shows us the dangers of bureaucracy superseding science